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Hasui initially studied traditional Japanese painting (Nihonga) under the guidance of Kaburagi Kiyokata
Dry stamp of the artist in the bottom right and of the printer in the bottom left
Lucio Fontana: incisioni
with excellent margins all around the marginal line
KŌRIN FURUYA, Kōrin-style Patterns n. 102, 1907 sculture Hasui initially studied traditional JapaneseStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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